tag:blogger.com,1999:blog-8795280.post1188183691524743679..comments2024-03-24T13:26:57.317-07:00Comments on Sergio Leone and the Infield Fly Rule: OUT OF PRINT: THE NEW BEVERLY'S HISTORYDennis Cozzaliohttp://www.blogger.com/profile/01954848938471883431noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-8795280.post-10311932334678508542018-03-24T22:51:22.815-07:002018-03-24T22:51:22.815-07:00Great article, Dennis! THIS is why I love cinema.....Great article, Dennis! THIS is why I love cinema... its power to unify, compliment and stage itself in our memories for years to come. We certainly need more of that in this day and age and I'm glad you've been able to find such a warm environment of moving images. Even if it's still closed for renovations.Joe Bakerhttps://www.blogger.com/profile/10160822944514723178noreply@blogger.comtag:blogger.com,1999:blog-8795280.post-24794918774197701242018-03-24T21:00:27.302-07:002018-03-24T21:00:27.302-07:00My feeling about the Tarantino New Beverly is that...My feeling about the Tarantino New Beverly is that it would be nothing but a great asset to revival film exhibition if it hadn't come at the cost of the original New Beverly. Tarantino deserves credit for bringing programming to revival cinema that it's never seen before, bringing originality to a type of exhibition that can easily fall into its cliches. But in terms of showing films of substance as they should be shown it just doesn't match what the Torgans were doing. The fetishization of the means by which the images are projected over the substance of the films themselves exemplifies the flaws in the philosophy. So when I go to the New Beverly these days as I will now and then, it's never without a feeling of ambivilence.Robert Fiorehttps://www.blogger.com/profile/06357467040644448167noreply@blogger.com